CRQ 442 Yves Nat: Live, Paris, 1953: Schumann, Beethoven, by Yves Nat, piano

CRQ 442 Yves Nat: Live, Paris, 1953: Schumann, Beethoven

by Yves Nat, piano

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1.	Track 1: Schumann: Fantasie in C major. Op. 17: Movt 1: Durchaus fantastisch und leidenschaftlich vorzutragen; Im Legenden-Ton - Quite fantastic and passionate to deliver; In the legend tone. 10:03	lyrics	buy track
Yves Nat, piano
2.	Track 2: Schumann: Fantasie in C major. Op. 17: Movt 2: Mäßig. Durchaus energisch - Moderate. Quite energetic. 06:44	lyrics	buy track
Yves Nat, piano
3.	Track 3: Schumann: Fantasie in C major, Op. 17: Movt 3: Langsam getragen. Durchweg leise zu halten - Worn slowly. To keep quiet throughout. 08:55	lyrics	buy track
Live: Paris, 31 August 1953
4.	Track 4: Schumann: Kinderszenen, Op. 15 14:41	lyrics	buy track
Yves Nat, piano
5.	Track 5: Beethoven: Piano Sonata No. 23 in F minor, Op. 57 Appassionata (Allegro assai / Andante con moto / Allegro ma non troppo) 19:45	lyrics	buy track
Yves Nat, piano

about

Yves Nat, piano
Live: Paris, 31 August 1953

Tracks 1-3: Schumann: Fantasie in C major, Op. 17
Track 1: Durchaus fantastisch und leidenschaftlich vorzutragen; Im
Legenden-Ton - Quite fantastic and passionate to deliver; In the legend
one.
Track 2: Mäßig. Durchaus energisch - Moderate. Quite energetic.
Track 3: Langsam getragen. Durchweg leise zu halten. - Worn slowly. To keep quiet throughout.
Track 4: Schumann: Kinderszenen (Scenes from Childhood) , Op. 15
Track 5: Beethoven: Piano Sonata No. 23 in F minor, Op. 57 Appassionata
(Allegro assai / Andante con moto / Allegro ma non troppo - Presto)

credits

released January 5, 2021

Yves Nat (1890-1956)
French pianist and composer Yves Nat was a child prodigy, who at 10 conducted his own orchestral Fantasy. Saint-Saëns and Fauré heard him and insisted that he be sent to the Paris Conservatiore, where he took a premier prix in 1907 in Louis Diémer’s piano class. His career began in 1909 when Debussy took him to England. He toured internationally and recorded extensively. In 1934 he began teaching at the Paris Conservatiore, which also allowed him more time for composition. Nat produced works for orchestra, for chorus and orchestra, a Piano Concerto (1953) and songs and solo piano pieces. As a pianist Nat was particularly noted for his searching interpretations of the music of Beethoven and Schumann.

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