Lucretia West, contralto
Vienna Academy Choir, Vienna Philharmonic Orchestra, Hans Knappertsbusch, conductor
Recorded by Decca between 10 -15 June 1957 in the Sofiensaal, Vienna
Lucretia West, contralto
Vienna Philharmonic Orchestra, Claudio Abbado, conductor
Recording of a broadcast of the performance given at the Grosse Festspielhaus, Salzburg, on 14 August 1965, as part of the Salzburg Festival
Lucretia West, contralto
Orchestra of the Academy of Santa Cecilia, Rome, Franco Mannino, conductor
Recorded circa 1970-1971 as part of the soundtrack for the film 'Death in Venice'
about
Track 1: Brahms: Alto Rhapsody, Op. 53, for contralto, male chorus, and orchestra
Vienna Academy Choir, Vienna Philharmonic Orchestra, Hans Knappertsbusch, conductor
Recorded by Decca between 10 -15 June 1957 in the Sofiensaal, Vienna
Track 2: Mahler Lieder eines fahrend Gesellen: Movt 1: Wenn Mein Schatz Hochzeit macht
Track 3: Mahler Lieder eines fahrend Gesellen: Movt 2: Ging heut' Morgen uber's feld
Track 4: Mahler: Lieder eines fahrend Gesellen: Movt 3: Ich hab ein' gluhend Messer
Track 5: Mahler: Lieder eines fahrend Gesellen: Movt 4: Die Zwei blauen Augen von meinem Schatz
Vienna State Opera Orchestra, Hermann Scherchen, conductor
Recorded by Westminster during June 1958 in Vienna
Track 6: Mahler: Kindertotenlieder: Movt 1: Nun will die Sonn' so hell aufgeh'n
Track 7: Mahler: Kindertotenlieder: Movt 2: Nun seh' ich wohl, warum so dunkle Flammen
Track 8: Mahler: Kindertotenlieder: Movt 3: Wenn dein Mütterlein
Track 9: Mahler: Kindertotenlieder: Movt 4: Oft denk' ich, sie sind nur ausgegangen
Track 10: Mahler: Kindertotenlieder: Movt 5: In diesem Wetter
Vienna State Opera Orchestra, Hermann Scherchen, conductor
Recorded by Westminster during June 1958 in Vienna
Track 11: Mahler: Symphony No. 2 in C minor 'Resurrection' Movt 4: Urlicht (from Das Knaben Wunderhorn)
Vienna Philharmonic Orchestra, Claudio Abbado, conductor
Recording of a broadcast of the performance given at the Grosse Festspielhaus, Salzburg, on 14 August 1965, as part of the Salzburg Festival
Track 12: Mahler Symphony No. 3 in D minor Movt 4: Sehr langsam—Misterioso
Orchestra of the Academy of Santa Cecilia, Rome, Franco Mannino, conductor
Recorded circa 1970-1971 as part of the soundtrack for the film 'Death in Venice'
Lucretia West, contralto
credits
released May 21, 2022
Homage to Lucretia West
To anyone seeking to buy long-playing records of the music of Mahler in the early 1960s, the name of Lucretia West was significant, if little was known about her. West featured as the memorable contralto soloist in Hermann Scherchen’s ground-breaking account of Mahler’s Second Symphony, ‘Resurrection’, recorded by Westminster, which was widely available in the United Kingdom through the World Record Club. She also recorded for Westminster and Scherchen the two major Mahler song-cycles but these recordings were never formally released in the UK. In addition she participated in Scherchen’s second recording of the Mozart Requiem, and recorded recitals of spirituals and songs by Schubert, all for Westminster.
Another Mahler recording of note in which West took part was Dmitri Mitropoulos’s astounding account of the Eighth Symphony given at the Salzburg Festival in 1960. This circulated initially on a pair of US-produced Everest LPs, which again were not formally released in the UK. Apart from all these recordings there was a well-circulated account of the Alto Rhapsody of Brahms under Hans Knappertsbusch for Decca and a recording of Negro Spirituals, recorded by the Club Français du Disque and released in the UK on the obscure Record Society Label. And that was about it.
Fast forward to the late nineteen nineties and early two thousands, characterised by the growth of CD releases of live performances, and it became clear that Lucretia West was the ‘go-to’ soloist for the alto parts in Mahler’s music in the nineteen fifties, sixties and seventies. Recordings appeared of her singing both Mahler and the music of other composers with Carl Schuricht, Jascha Horenstein, Claudio Abbado and Sir John Barbirolli, as well as more with Mitropoulos and Knappertsbusch. Her pre-eminence in the music of Mahler in particular was confirmed when she featured on the soundtrack of Luchino Visconti’s film ‘Death in Venice’ of 1971, in which she sang the ‘Misterioso’ movement from the Third Symphony of Mahler, with Franco Mannino conducting the Orchestra of the Accademia di Santa Cecilia, Rome, a reading of extraordinary depth and feeling.
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